Paul Chambers

2008 expanded edition of the Coltrane classic, which he himself proclaimed was his favorite recording from his discography. This release includes the complete album Blue Train, plus four bonus tracks showcasing Coltrane's genius on several sessions from the same period and with similar personnel. Includes 16-page comprehensive booklet!

This is the one jazz record owned by people who don't listen to jazz, and with good reason.

The rhythm section in question here belonged to Miles Davis in Los Angeles, one fine day in January 1957.

The complete classic albums Kenny Burrell & John Coltrane and Soultrane, both of which received in the Down Beat reviews. While the first LP presents a quintet showcasing Trane and Burrell (with the splendid Tommy Flanagan on piano), including a wonderful duet which opens our CD, the second has Trane in a quartet format with Red Garland. Includes 16-page booklet

This 2009 CD contains French composer and pianist Michel Legrand 's album Legrand Jazz (1958) in its entirety, featuring his first recorded collaboration with Miles Davis. As a bonus, the trumpeter's complete original suite for the soundtrack to the French film Ascenseur pour l'‚chafaud has been added.

The complete classic album Milestones by the celebrated Miles Davis Sextet with Cannonball Adderley and John Coltrane. As a bonus, the complete broadcast from the Caf‚ Bohemia in which Cannonball Adderley was absent, and Bill Evans replaced Garland on piano.

The complete classic album Porgy and Bess by Miles Davis with the Gil Evans orchestra. Featuring Johnny Coles, Cannonball Adderley, Jimmy Cleveland, Paul Chambers, Jimmy Cobb & Philly Joe Jones. As a bonus, four extra tracks featuring Miles playing Gershwin tunes with jazz giants such as Sonny Rollins, Thelonious Monk and Milt Jackson. Includes 16-page booklet

After all that walkin’ and cookin’ it´s time for Miles and men to relax. Miles plays muted horn on all but “Woody’n” here. He plays with his customary delicate, intricate impact. Chambers is superb. It’s pleasant to hear a co-ordinated jazz group approach such tunes. A valuable demostration of conceptual prowess (Don Gold)