Michael Attias

Credo
Michael Attias

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Avignon, Summer of ’95, rooftop of an old farmhouse. Lain across the stone in the afternoon sun is some sheet music I picked up off a pew in the deserted Cathedral of Notre-Dame des Doms where I’d gone that Sunday morning hoping to hear a Frescobaldi mass sung and instead found this piece of paper with the Credo section in rudimentary sing-along notation.

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Renku in Coimbra
Michael Attias

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The three-night residency of the Michaël Attias Quintet in the 2008 edition of the Coimbra's Jazz ao Centro festival was documented on a live album, Twines of Colesion, to be released in early 2010; and now we have this one, recorded in one afternoon at the same Club in Coimbra where the concerts took place, this time behind closed doors.

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Twines Of Colesion
Michael Attias

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Graced individually by a list of partnerships that includes Anthony Braxton, Andrew Hill, Charlie Haden, and Paul Motian, the members of the Quintet had all played together previously in such bands as Michaël Attias’ Renku and Clinamen, the collective Change of Time, John Hébert’s Byzantine Monkey, Tony Malaby’s Quartet and Novela, and many others.

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Spun Tree
Michael Attias

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Michaël Attias is the living proof that jazz is no longer an American music, but a universal one. The product of migrations spanning Morocco, Israel, France, Minneapolis and New York, he is a foreigner in every corner of the planet, but also one of us everywhere – the fact that his recording label is Portuguese says it all.

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